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Theory of drama

The fundamental terms and theories from ancient Greece to modern art forms

Development of theater

Theatrical history shows that each era almost replay theatre. That is, at all times, Genesis is just at an appropriate level and befitting him database like repeats. In real history, after the theatre had once arisen, he not only continues it always opens like a newborn. Again in the course of genetic mechanisms. Starts a […]

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Theory: theatre genesis Part 2

In addition, it is an indirect warning do not rely on the rituality there is also a direct lesson: apparently, the theatrical genes must be sought not necessarily where there is an external, even a striking similarity with a theater or with some element that will be successfully parodied in the theatre. Worth looking for, […]

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Theory: theatre genesis Part 1

Historically, the educated consciousness naturally assumes that theater once was, and then he began and now continues to be. It is known that the theatre is not in all cultures, in all Nations, but where he was born, he continues to develop, no matter how difficult his way. This applies not only to Western but […]

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Theory: the object of imitation Part 3

Isn’t it should be approached and to our subject? Yes, the theatres of different epochs and regions sometimes radically different from each other, and shared between them are often one and sometimes the actors play the role with the participation of the audience. But it is enough that we, in the prescribed logic, were forced […]

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Theory: the object of imitation Part 2

Still, before adopting a point of view on a theater piece, not bad once again to question it. And the question is, Yes not one. Usually we do without malice, regarded a favorite expression “the stage incarnation” as a requirement of maximum trade note actor and character. But we are equally unconsciously go back to […]

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Theory: the object of imitation Part 1

To understand what wants to tell us the theatre, we must find out where it draws its content and how they’re produced. Whether at the theater and if there is what is it? In the first, but the essential approach here the question of the subject of art in General, just art in General. What […]

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Introduction theory of drama Part 3

This is not the place of philosophical debate. Talking only about the nature of the choice that needs to be done today everyone who came up with the theory of theatrical art, and the relentlessness of such a choice. I tried to indicate. Where there is history, there is full knowledge of either historical or […]

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Introduction theory of drama Part 2

The methodological situation in modern theater, however, erratic and curious. To cite one example. In 2004, international conference, the famous German theater critic, author of three volumes of the “Semiotics of theatre” Erika Fischer Lichte gracefully and convincingly proved that the Director is not the author of the text. The deciding argument was the relationship […]

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Introduction theory of drama Part 1

Of the three words comprising the title of this work, explanations need all three. The preposition “to” in accordance with the directions of grammar, first, requires that the owner added “about…”, and, second, it captures the intention of the author to move in that direction, where, as it seemed, this question can be answered. Thirdly, and […]

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Features of theatre arts Part 3

It ought to be recalled that additional complex comprehension of the arrangement of play, for example the provisions “exposition”, “orgasm”, arrived much later on. The very first spectacle, may be your most important motif one act of this drama, is devoted towards the preliminary clashes and predicted vulnerability. Striking a node establishes not merely the […]

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